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Heavily in uenced by Gibbon, Mann can hardly have avoided seeing the Roman Empire as the civilized world. An image of Rome encompassing the nations of the world as an ancient United Nations appears shortly after the lm opens. Marcus Aurelius holds a review of leaders of different peoples from Rome s far- ung provinces and of some foreign allies. They have gathered to help the benevolent emperor realize his vision of a world united in peace and harmony. Marcus is on the Danube frontier, where he must ght the barbarian tribes who attack the civilized world, but he prefers to assimilate them peacefully. Just before the review he had told Livius, his trusted general and the ostensible hero of the story: It is time we found peaceful ways to live with those you call barbarians. Once the various units of diverse ethnicities are gathered together in a rainbow of different-colored military standards and uniforms, Aurelius tells them that they are the unity which is Rome. He explains the need to eliminate all frontiers. Rome, he says, wants and needs human frontiers. He envisions golden centuries of peace, a true pax Romana, which will bring to all, all, the supreme right of Roman citizenship, a family of equal nations. That is what lies ahead.

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The Start New Shape option creates a new object with every new shape drawn in a viewport. Leaving this option unchecked lets you create compound shapes, which consist of several shapes used to create one object. Because compound shapes consist of several shapes, you cannot edit them using the Parameters rollout. For example, if you want to write your name using splines, keep the Start New Shape option unselected to make all the letters part of the same object. Just as with the Geometric primitives, every shape that is created is given a name and a color. You can change either of these in the Name and Color rollout. Most of the shape primitives have several common rollouts: Rendering, Interpolation, Creation Method, Keyboard Entry, and Parameters, as shown in Figure 14-3. I cover these rollouts initially and then present the individual shape primitives.

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Trunking gateways that interface between the telephone network and a Voice over IP network. In practice, these often are split into gateways for user streams and for signaling information. Access gateways that provide traditional analog or primary rate (PRI) line interfaces to a Voice over IP network. Network access servers that can attach a modem to a telephone circuit and provide data access to the Internet.

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In the minds of many investors, the concept of asset allocation ends with traditional marketable securities. Perhaps they might identify real estate as another viable asset class. But we can strengthen our portfolio materially with additional asset classes, such as: Start-up venture capital funds Leveraged buyout funds Corporate buy-in funds

pace Warps sound like a special effect from a science fiction movie, but actually they are non-renderable objects that let you affect another object in many unique ways to create special effects. You can think of Space Warps as the unseen forces that control the movement of objects in the scene such as gravity, wind, and waves. Several Space Warps, such as Push and Motor, deal with dynamic simulations and can define forces in real-world units. Some Space Warps can deform an object s surface; others provide the same functionality as certain modifiers. Space Warps are particularly useful when combined with particle systems. This chapter includes some examples of Space Warps that have been combined with particle systems.

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