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Here s an animation that modifies all three rotation properties at different speeds, which gives the dizzying impression that the border is tumbling through 3-D space: <Storyboard x:Name="spinStoryboard"> <DoubleAnimation Storyboard.TargetName="projection" RepeatBehavior="Forever" Storyboard.TargetProperty="RotationY" From="0" To="360" Duration="0:0:3"> </DoubleAnimation> <DoubleAnimation Storyboard.TargetName="projection" RepeatBehavior="Forever" Storyboard.TargetProperty="RotationZ" From="0" To="360" Duration="0:0:30"> </DoubleAnimation> <DoubleAnimation Storyboard.TargetName="projection" RepeatBehavior="Forever" Storyboard.TargetProperty="RotationX" From="0" To="360" Duration="0:0:40"> </DoubleAnimation> </Storyboard> Figure 10-8 shows the rotating border captured at two different points in its animation. Although this technique may seem like gratuitous eye candy, a little 3-D rotation can go a long way. It s particularly useful when you re implementing transitions between different content. For example, you can create a panel that flips over and reveals different content on its back side. To do so, you take one panel and rotate it around the X or Y axis from 0 to 90 degrees (at which point it appears to disappear because it s edge-on). You then continue with a second animation that rotates a different panel from -90 degrees to 0 degrees, exposing the new content.

Start the Database Mail Configuration Wizard by expanding the Management folder in the SQL Server Management Studio Object Explorer, right-click Database Mail, and then select Configure Database Mail from the context menu. This will bring you to the Welcome screen shown in Figure 13-1.

Figure 3-16. The library contents with two incoming e-mails The drawback of this approach is that the attachments are not linked together; they are each listed as individual documents. For this reason, it is generally preferred to group attachments into a folder. You can group these by subject or by sender. Grouping by subject is the most common approach. Figure 3-17 shows the contents of the library with subject grouping after the same two e-mails have been received. Notice that both items are folder objects.

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Animating brushes is another common technique in Silverlight animations, and it s just as easy as animating transforms. Again, the technique is to dig into the particular subproperty you want to change, using the appropriate animation type. Figure 10-9 shows an example that tweaks a RadialGradientBrush you studied in 8. As the animation runs, the center point of the radial gradient drifts along the ellipse, giving it a three-dimensional effect. At the same time, the outer color of the gradient changes from blue to black.

You can define default constraints on columns within a table in order to insert a predefined value into those columns whenever a specific value is not provided. Each column can have only one default constraint. You can create the default when you create a table, or you can add it later using the ALTER TABLE statement. You cannot alter a default. To change a default, you must drop the existing constraint and create a new one. To create a default on a column when you create a table, you can specify the constraint following the column definition. In Listing 9-5, we are creating a table called Orders with an OrderID and an OrderDate column. The OrderDate column has a default named DF_Orders_ OrderDate. The column will be given the value of getdate() whenever a value is not otherwise specified.

Figure 10-9. Altering a radial gradient To perform this animation, you need to use two animation types that you haven t considered yet. ColorAnimation blends gradually between two colors, creating a subtle colorshift effect. PointAnimation allows you to move a point from one location to another. (It s essentially the same as if you modified both the x coordinate and the y coordinate using a separate DoubleAnimation, with linear interpolation.) You can use a PointAnimation to deform a figure that you ve constructed out of points or to change the location of the radial gradient s center point, as in this example. Here s the markup that defines the ellipse and its brush: <Ellipse x:Name="ellipse" Margin="5" Grid.Row="1" Stretch="Uniform"> <Ellipse.Fill> <RadialGradientBrush x:Name="ellipseBrush" RadiusX="1" RadiusY="1" GradientOrigin="0.7,0.3"> <GradientStop x:Name="ellipseBrushStop" Color="White" Offset="0"></GradientStop>

Figure 3-17. The library contents with subject grouping If you click one of these items, you ll see the contents of the folder, as shown in Figure 3-18.

<GradientStop Color="Blue" Offset="1"></GradientStop> </RadialGradientBrush> </Ellipse.Fill> </Ellipse> And here are the two animations that move the center point and change the second color in the gradient: <Storyboard x:Name="ellipseStoryboard"> <PointAnimation Storyboard.TargetName="ellipseBrush" Storyboard.TargetProperty="GradientOrigin" From="0.7,0.3" To="0.3,0.7" Duration="0:0:10" AutoReverse="True" RepeatBehavior="Forever"> </PointAnimation> <ColorAnimation Storyboard.TargetName="ellipseBrushStop" Storyboard.TargetProperty="Color" To="Black" Duration="0:0:10" AutoReverse="True" RepeatBehavior="Forever"> </ColorAnimation> </Storyboard> You can create a huge range of hypnotic effects by varying the colors and offsets in LinearGradientBrush and RadialGradientBrush. And if that s not enough, gradient brushes also have their own RelativeTransform property that you can use to rotate, scale, stretch, and skew them. (The WPF team has a fun tool called Gradient Obsession for building gradient-based animations, most of which will work with Silverlight with some adjustment. You can find it at http://windowsclient.net/downloads/folders/controlgallery/entry2336.aspx.)

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