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If you look at the project so far, you should feel pretty good about what you have been able to accomplish with a few mouse clicks. The animation in the garden looks pretty good, and the blur tween is a pretty nifty technique. Naturally, Flash designers are rarely satisfied with their projects when there is something else that could be added to make it even more effective. In this case, the fly needs to buzz among the flowers, butterflies, and bees in the images on the stage. The fly will reinforce the illusion of depth and provide some visual interest to the viewer. Before we start, let s take a moment and have a brief chat about those last two sentences. When people first start using this application, there is a real tendency to load up projects with all manner of effects. In many cases, there is no rationale for the inclusion of these effects apart from the designer telling his friends, Aren t I clever

NOTE The target namespace is typically expressed as a Uniform Resource Identifier (URI), but it is not required to resolve to an actual location. The schema definitions that are presented in this book happen to be stored as XSD files at http://www.bluestonepartners.com/schemas/. For your convenience, they are also included in the sample code downloads (available from the Downloads section on the Apress Web site at http://www.apress.com).

Flash is a powerful tool, and some of the most interesting Flash movies out there are ones where the effects are subtle. They quietly support the design rather than overpower it. In this case, the effect will be a small fly buzzing around the stage. The purpose of the fly is to reinforce the illusion of depth and to provide a subtle animation in an otherwise static image. To create a fly buzzing among the flowers, follow these steps:

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2. With the Fly layer selected, drag the Fly movie clip to the stage. Obviously, as shown in Figure

Instead of rewriting the example code, it s going to be refactored incrementally Refactoring is the process of changing the source code without doing a rewrite of the source code I m also implementing the technique refactoring to patterns, which I ll discuss in more detail in 9 You ll want to refactor a code base for one of these four reasons: You want to add a feature, and it isn t possible without making changes You want to fix a bug that affects other classes You need to improve the design because there are hacks in a source code base that can become problematic in the future You need to optimize resources because the application might be too slow or require too much memory The quick-and-dirty example needs to be refactored for the following reasons: There is no separation of intention and implementation of the class TranslateToGerman.

Design the XML Messages and XSD Schemas (Step 1)

4. The fly is still a bit too distinct. With the fly still selected on the stage, apply a Blur filter to the

selection. Set the Blur X and Blur Y values to 3 px and the Quality value to High. Now that the fly s physical characteristics have been dealt with, let s put the fly in motion.

Putting the fly in motion is easy. The hard part is determining how to do it. That may seem a bit odd, but there are several methods for putting the fly in motion. These methods range from frame-by-frame animation to a purely code-driven approach. Picking the one best suited to the task at hand will make or break the project. If you have ever watched flies, you will see that they move around in an erratic manner. Mimicking this using a frame-by-frame approach would be too time-consuming to be worth it, and coding the movement with changes in directions, loopbacks, and so on, would require some hard-core coding chops. The solution is to draw the path for the fly to follow. Here s how:

XML messages represent the operations that your Web service supports, and they correlate to implemented Web methods. XML messages do not contain implementation logic. Instead, they simply document the name of an operation and its input and output types. XML messages must be designed in conjunction with XSD schema files. The best starting point is to construct a UML diagram for the operation. Figure 3-2 shows a UML class diagram for the RequestQuote operation and its associated input and output data types.

1. Lock all of the layers except the Fly layer, and move the Fly movie clip to the left of the stage

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