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So how does the game play after these quick modifications Well, the level design is clearly no longer appropriate for a character Flynn s size, but it does actually help us identify (and fix) some initial problems. If you try and make your way toward the right side of the room (the long way around), then you should find that you can jump and climb your way across most of the landscape fairly well. Clearly, there are some adjustments we need to make for climbing walls, and the sliding animation doesn t work particularly well for Flynn, either. Nonetheless, it s certainly a good basis for developing Flynn s movement mechanic. Unfortunately, once you eventually make it to the collection of ledges on the far right of the room, you are likely to encounter a serious problem (see Figure 11 7).

Robosapien will damage his fingers if he bends down too low. He can only pick up items that are greater than approximately 2" high, such as paper cups, socks in a ball, bent business cards, crumpled paper, etc. If you put Robosapien in a dimly lit environment, his palm lights will show you where his two pick-up sweet spots are located. When you do a pick-up command, he can very reliably pick things up which are placed in these spots located next to his ankles.

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Figure 11 7. Flynn can t move into contact with the ground because of ledges going through his body It s not difficult to get completely stuck amongst either set of ledges, as there is a fundamental problem with using such a relative giant under our existing engine . The problem is that many of our collision events use the move_to_contact_with script to place the character on the surface of the landscape. This script works by moving the object one pixel at a time until it collides with something solid, but it doesn t account for the possibility that the object is already in contact with something solid, because it has a ledge through the middle of it! (See Figure 11 7). In these situations, the move_to_contact_with script does absolutely nothing, and so the character ends up being stuck, unable to make contact with the ground. This is a similar problem to the The Ninja Elbow Walk issue from earlier: it s just that our new character is so much bigger. We solved that problem by inventing a new script called check_standing_on that performed collision checks in a small area beneath the character s bounding box. We can partly solve this problem by expanding upon that with a new version of move_to_contact_with that only checks for collisions beneath the character s bounding box in exactly the same way.

Load shadows1.gmk and open the new script resource called move_on_top_of. This version of the script only has two arguments, as it is always assumed that the direction of movement is 270 degrees. Other than that, it is practically identical to move_to_contact_with, except that it uses the script check_standing_on instead of the built-in function place_meeting. This is the important line: if( check_standing_on( contact_obj, 1, 0 ) == true ) then return true; So in practice, this script moves the instance pixel by pixel until it finds the required object within the 1-pixel high rectangle beneath the bounding box. This contrasts with the approach of move_to_contact_with that checks whether the entire bounding box overlaps with the object and then returns the previous position. As a result, we have a script that isn t affected by ledge objects that are already inside the character s bounding box when the script is called. We can now use this new script in place of move_to_contact_with in all the places where Flynn is moved directly downward following a collision (so any kind of ramp or slope collision as well as conditional statements that move Flynn down to keep him walking on top of platforms). This prevents situations where Flynn gets stuck between two ledges such as that shown on the left of Figure 11 7, but doesn t improve the situation shown on the right. This is because the airborne collision event with platforms has to use the more general move_to_contact_with script, to cope with collisions in all directions that can happen in mid-air. We ll need to give that some more thought.

His right hand is for round or bulky things like dolls, cardboard tubes, etc. His left hand is for thin things like pencils, napkins, dollar bills, business cards, and paper. Use his hands to lift things, hold and carry them, and even put them on steps or in laundry bags, for example.

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