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Okay, so we ve reached the end of the chapter and there s not been so much as a whiff of sea air, or a pirate ship. Don t worry, the ninjas haven t finally wiped out all the pirates, it s just far easier for you to understand GML within the familiar context of a game you ve already worked on. We have already taken the first steps toward including our new protagonist in the game and seen the problems that a larger character can create. Nonetheless, it s time to start practicing your best pirate voice, as you ll truly earn your sea-legs in the next chapter by creating a vertical slice of the finished game. A vertical slice might sound like some kind of strange pirate punishment, but it is actually a reference to a slice of a cake rather than anything gruesome. Of course, this particular slice of cake contains sinister skeletons, deadly spear-traps, merciless pirates, and relentless skull-bats, but that s really beside the point .

On some surfaces your robot cannot walk well while his hands are all the way up or while he s carrying something heavy. However, just press STEP again (or, if stopped, press STEP-STEP) and he ll walk fine.

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We re aiming to produce one complete level for Shadows on Deck, or what is often called a vertical slice of gameplay. In a professional game development studio, it is quite common to create a small section of a game like this in order to prove the concept s worth to a publisher. Console games often cost many millions of dollars to develop, and these days it is usually only the big-name publishers who can afford to pick up this kind of bill. Nonetheless, they don t just hand over that kind of money based on a design document, however good it may be. Publishers are always looking for AAA titles,1 but the truth is that it is actually impossible to design such a game on paper! The art of game design is an interactive, step-by-step process and quality games evolve into being; they are not simply implemented according to a meticulous plan. Consequently, publishers often fund an initial, short period of development called preproduction in order to try and find the fun in the concept. In that phase, the designers compile the game design, the artists create concept art for the characters and environments, and the programmers create game play and technology prototypes. A vertical slice is often seen as a single complete level that has the feel of the finished game, but exists in isolation. The success of this initial prototype will determine whether the publisher decides to continue to fund the development of the project, and whether the team s hard work and enthusiasm for their concept will ever see the light of day .

Large, well-defined sprites may look great, but they bring with them a whole range of additional problems. We ve already seen some of the issues it can create with collisions, but there are animation problems, too. Sliding feet in walk cycles, sudden transitions between different animations, and the synchronization of sound effects are all issues that are much harder to ignore with larger character sprites. The hierarchical animation systems used in 3D games typically have the ability to dynamically access or modify animation data on the fly, so they do not suffer from

By pressing the STEP button again, or, if stopped, by pressing STEP-STEP. This puts him into the much more stable slow-walk mode. Slow-walk allows Robosapien to push, pull, or kick his way out of many situations. If he continues to stop, use the SELECT-SELECT-BULLDOZER mode; he will push through any obstacle he can.

1 Pronounced, triple-A. Refers to the very best games that have been both critically acclaimed and commercially successful.

Figure 3-21. State diagram of the profiler. The package dbms_profiler provides routines for changing the state of the profiler disabled, enabled, or paused. Each routine shown in Figure 3-21 is provided as a function or a procedure. The functions return the processing result status (0 = successful). The procedures generate an exception in case of errors. Except for the routine start_profiler, which accepts two comments describing the profiling analysis as a parameter, all other routines are parameterless. The following example shows a minimal run aimed at profiling the procedure perfect_triangles. The code of the procedure is available in the script perfect_triangles.sql. Notice that the runid selected while disabling the profiler is used in the next section to reference the profiling data stored in the output table. SQL> ALTER PROCEDURE perfect_triangles COMPILE DEBUG; SQL> SELECT dbms_profiler.start_profiler AS status 2 FROM dual; STATUS ---------0 SQL> execute perfect_triangles(1000)

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